PETER PAUL RUBENS

Peter Paul Rubens was born in Siegen in Germany, but from the age of 10 he lived and went to school in Antwerp. His first job, at the age of 13, was as court page to a countess. It was a prestigious position for a young man, but Rubens found it stifling and began training as an artist.

As soon as he had completed his training, he set out for Italy in order to see for himself the great Renaissance and classical works that he knew from copies. For eight years, he travelled and worked in Spain, copying and incorporating the techniques of Renaissance and classical art.

In 1608 news came that Rubens's mother was dying. He left immediately for Antwerp, but by the time he arrived she had died. Once home, Rubens decided to stay in the city. His reputation had preceded him, and in 1609 at the age of 33 he was appointed court painter to the rulers of the Netherlands, the Archduke Albert and his wife Isabella.The following year, he married his own Isabella - Isabella Brandt.

Rubens could now afford to buy a grand house in a fashionable part of Antwerp. He built a large studio to accommodate his pupils and assistants (he received far too many commissions to complete them all single-handedly). He designed it himself in an Italian style. He also added a circular sculpture hall, based on the Pantheon, to the house.

Rubens's major business was altarpieces, particularly suitable for an artist who enjoyed working on a grand scale. A diligent and disciplined man, he rose at 4am each day and worked until 5 in the evening before going out riding to keep himself physically fit. While painting, he would have someone read to him from a work of classical literature. An enthusiastic collector of gems, ancient sculpture and coins, and other curiosities (including an Egyptian mummy), Rubens's collection became a well-known attraction for visiting dignitaries.

From the mid-1620s Rubens become increasingly busy with diplomatic duties. Antwerp, in the southern Netherlands, was part of an empire ruled by Catholic Spain. The Protestant northern Netherlands were united under Dutch rule. Both sides hoped to unite the Netherlands under their own regime.

In 1610, a 12 year truce between the Dutch and the Spanish had allowed the Archdukes Albert and Isabella to continue their Catholic rule in peace and stability. In 1621 the truce came to an end and just at this crucial time, the sovereign Archduke Albert died. His consort, Isabella, continued as governor but her situation was a precarious one as Spain, France and England tried to decide who they should ally themselves with, and against whom.

Rubens was called upon to negotiate in France and England on behalf of Isabella as the representative of the Spanish Netherlands. Because painters often had reason to travel to foreign courts, he was well placed to carry out secret or delicate visits without his presence arousing suspicion. He became a close confidante of Isabella and she valued his advice.

In 1624 Rubens was granted a patent of nobility by Isabella's nephew Philip IV and in 1627 she moved him even further up the social scale by making him a 'gentleman of the household'.

After 18 months abroad, Rubens had had enough of the thankless task of politicking. He returned to Antwerp to see his children and to look after his domestic affairs. He could also dedicate himself entirely to painting. One of his most important patrons in the 1630s was King Philip IV of Spain who commissioned over 80 paintings.

During his last years Rubens spent increasing amounts of time with his new young family in his country house, the Chateau de Steen. He began to paint more landscapes, often for his own enjoyment, rather than for sale.